在新的文化变迁和转向中,后现代美学与传统美学作为两种不同的美学形态,在关于美学学科建设、美学的研究对象、研究方法以及关于美的阐释等问题上的冲突日益明显,并由此引发了关于美学学科自身建设的一个迫切问题:在传统美学合法性危机日渐显现以及后现代美学碎片化表达之不可捉摸的语境中,美学理论如何对复 In the new cultural changes and changes, postmodern aesthetics and traditional aesthetics, as two different aesthetic modalities, have become more and more evident in their conflicts on such issues as the construction of aesthetics, the objects of aesthetics, research methods, and the interpretation of beauty This raises an urgent question about the construction of the aesthetics itself: in the context of the increasingly apparent appearance of the legality of traditional aesthetics and the elusive context of the fragmented expression of the post-modern aesthetics,