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新疆作家李娟追随逐水草而生的哈萨克族牧人,不辞辛苦辗转于春牧场、夏牧场和冬牧场,通过深入了解他们的宗教文化和日常生活,向作为“旁观者”的我们呈现了一个古老民族敬畏自然的生态观及其所遵循的人与自然、人与人之间友好互利的传统生存模式。李娟在融入生态主义女性视角下的真实的生存体验和审美经验的同时,塑造了多个令人印象深刻的哈萨克底层女性形象,还重新建构起某种基于生态审美的想象的地域意识。
The Xinjiang writer Li Juan followed the Kazakh shepherds who were born from water plants and worked tirelessly on spring pastures, summer pastures and winter pastures, and presented us as “spectators” through in-depth understanding of their religious culture and daily life An ancient nation’s awe-inspiring view of nature and the traditional living model of friendly and mutual benefit between man and nature and between people. While integrating real living experiences and aesthetic experiences from the perspective of ecological women, Li Juan has created many impressive images of Kazakh women at the bottom and reconstructed some regional consciousness based on ecological aesthetic imagination.