在欧美的新闻报业史上,从“铅字头脑”到“图片头脑”的发展,以及两者的结合,经历了一个漫长的路程。自19世纪80年代纽约《每日图画报》首次刊登新闻照片以来,至今已百年有余;19世纪末20世纪初,欧美报刊登载照片日渐增多;到20世纪30年代,图片在报纸上作为插图的地位已确定无疑。可是认识到新闻图片与文字排印格式和文章内容相配合,能够创造出独特的效果,从而成为报纸版面设计不可分割的组成部分,这还是近30年来的一项进步。 20世纪20年代后期,欧美报业开始发生“革命”,其代表人物是当时主宰报纸版面设计理论的美国杰出报人约翰·E·艾伦。他从20世纪 In the history of the newspaper and news industry in Europe and the United States, it has gone a long way from the development of the “typeface” to the “picture mind” and the combination of the two. Since the press pictures were first published in the 1980’s New York Daily Picture Newspaper, more than a century has passed since the late 19th and early 20th centuries. The number of photographs published in newspapers and magazines in Europe and the United States has been increasing since the 19th century. In the 1930s, the status of pictures as newspapers in newspapers Has been identified. However, recognizing that news images are compatible with text typography and article content to create unique effects that make them an integral part of the newspaper’s page layout is an improvement over the past 30 years. In the late 1920s, the “revolution” began in the newspapers in Europe and the United States. Its representative was John E. Allen, the distinguished American newspaper who dominated the newspaper page layout theory at the time. He from the twentieth century