《象的失踪》被认为是村上春树作品具有代表性的作品。本文通过对作品中“象的失踪”这一事件的描述分析,得出作者形在“象”而意不在“象”的创作特色。进而将关注点从象的失踪延伸到村上在小说创作过程中对“象”的描写,探讨村上在“象”这一创作符号上所展开的思考与探索,并借此考察其创作手法的转换。 “The disappearance of the image” is considered to be a representative piece of Haruki Murakami’s work. Through the analysis and description of the “” disappearance “in the works, this paper draws the author ’s writing characteristics in” “and” “. Then it extends the concern from the disappearance of the image to the description of ”Xiang “ in Murakami ’s novels, explores the thinking and exploration of Murakami ’ s creation symbol of ”Xiang ", Transformation of creative techniques.