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新疆文化在艺术上显示着鲜明的新疆地域特征。恰恰是这一点对世界艺术趋同倾向的故意逆反,促成了新疆艺术的自然而然的独创性。通过对雕塑作品立足于新疆本土的文化资源,在对新疆维吾尔族文化符号资源转换雕塑材料语言形式的研究过程中,运用符号学在雕塑领域的可操作性。并在不乏其民族特征的条件下找出和雕塑艺术的结合点。That Xinjiang Culture’s showing clearly its regional feature in the domain of art as a reflection of rebelion of the homogeneous world art has promoted its originality automatically. During the studying course of converting the Uyghur national culture to language form of sculpture which is based on the sources of Xinxiang’s native culture, using the maneuverability of the semantics in the region of sculpture, people try to find out their combining point on the condition that the national characters of sculpture is considered.