通过对伍子胥画像镜内容的初步考释,可以看出伍子胥画像镜并非如通常所释的同发式构图,而是以乳钮为界的四独立区间的连续式构图。而上海博物馆所藏伍子胥画像镜在细部构图、故事叙述以及流传顺序等方面都存在可疑之处,反映其可能为后代仿制。 Through a preliminary examination of the content of Wu Zixu’s mirror, we can see that Wu Zixu’s portrait mirror is not the same as the normal composition, but the continuous composition of four independent intervals with the button of milk nipple. The collection of Wu Zixu portraits in the Shanghai Museum is suspicious in terms of composition, story narration, and circulation order, which may reflect imitation of future generations.