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明清时期,云南地方的“淫乱”印象与华夏文化圈边界的拓展有着密切的关系。有关“缅铃”的传闻大抵起源于元初的征缅战争,而流行于明清两代。对于汉化族群来说,云南及其徽外作为一个“想象的异邦”充满了无限的神秘感,尤其是那里的“非我族类”在男性阳物上嵌珠装饰性器的做法被肆意渲染。在这样的历史情境中,“缅铃”被逐渐表述成为“夷化族群”的一种文化象征符号。明清时期滇缅边地性爱风气的超现实建构,集中体现了汉化族群对于华夏边缘存在的不同性生活方式所具有的复杂心理。
During the Ming and Qing Dynasties, the “adultery” impression in Yunnan was closely related to the expansion of the boundary of the Huaxia cultural circle. The rumors about “Burmese bell ” probably originated in the early Burmese war of Yuan Dynasty and prevailed in the Ming and Qing dynasties. For Han nationalities, Yunnan and its emblem are full of infinite mystery as an “imaginary alien”, especially where the “non-my-clan class” embellishes a male decorator Be arbitrarily rendered. In such a historical situation, “” “Bells” is gradually expressed as a symbol of cultural symbols of “ethnic groups”. The surrealistic construction of the sexual ethos in the border areas between Yunnan and Myanmar in the Ming and Qing Dynasties epitomized the complicated psychology of the different ethnic life styles existing in the Chinese margins.