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阿兰·罗伯·格里耶运用电影对小说的改编使他认识到了物的世界的陌生性。电影中复制的世界的顽固的现实性就是这个物的世界特性。在对这个世界的具体表现上,罗伯.格里耶采用了电影中蒙太奇式的画面来充分展示这个平面的世界,使传统小说中的线性叙述呈现为一种空间描述。同时画面的直观性使他选择视觉作为观察物的距离。对于视觉的重视体现在创作中他选择“摄影机的眼睛”来确定画面的视点。
The adaptation of Alan Loeb Grilles’ use of films to fiction makes him realize the strangeness of the world of things. The stubborn reality of the world copied in the film is the world character of this thing. In the concrete manifestation of this world, Rob Grier used the montage style of the film to fully display the plane world and rendered the linear narration in the traditional novels as a kind of spatial description. At the same time, the intuitiveness of the picture made him choose the distance of vision as the object of observation. The emphasis on visualization is reflected in the creation of his choice of “camera’s eyes” to determine the perspective of the screen.