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精神家园与现实世界之间的悖谬现象是奥尼尔所创作的剧本《长日入夜行》给人类灵魂留下的思考。“上帝死了”——基督教信仰这一西方文明的基础开始动摇,取而代之的是现代社会的全面物化。它急速加剧了传统道德、价值观念体系的崩溃。凭着艺术家敏锐的观察力和使命感,奥尼尔以自己亲身的苦难经历,用独特的戏剧手法真实地反映了这种信仰和价值的失落给人类带来的苦难,并竭力为身处困境中的现代人寻找出路,探索较大的自由生存空间,而不被钉死在异化的十字架上。
The paradox between spiritual homeland and the real world is the thinking left by O’Neill’s script, “Long Days and Nightfall,” to the human soul. “God is dead ” - The foundations of the Christian civilization, the western civilization, began to falter, replaced by the full materialization of modern society. It rapidly exacerbated the collapse of traditional morality and values systems. Based on the artist’s keen observation and sense of mission, O’Neill, with his own personal experience of suffering, realistically reflects the misery caused by the loss of such beliefs and values to humankind and endeavors to find himself in a difficult situation Instead of being crucified on alienated crosses, modern people seek ways to explore larger free living spaces.