中国工笔画艺术有着悠久的历史。从出土的战国《龙凤人物帛画》、西汉《马王堆一号墓彩绘帛画》等,造型严谨,形象精致,线条有力,而且强调色彩的表现力。以石色为主,富丽厚重,光彩夺目。这就是我们可见的传统工笔画雏形。 汉唐的工笔画已步入了辉煌时期,周昉的《簪花仕女图》、张萱的《虢国夫人游春图》以及李思训、李昭道父子的金碧青绿山水楼阁等均体现出这一时期盛世之下工笔画艺术的繁盛面貌。 宋张择端的《清明上河图》、赵佶的《雪江归棹图》、苏汉臣的《货郎图》、袁江和袁耀的山水界画等也 Chinese painting art has a long history. From the unearthed Warring States Period “dragon and phoenix figure silk painting”, the Western Han Dynasty “Mawangdui tomb painted silk painting” and so on, rigorous, exquisite image, strong lines, but also emphasizes the expressiveness of color. Stone-based, rich and magnificent, dazzling. This is the prototype we can see the traditional painting. The Han and Tang dynasties’ paintings have entered a glorious period. Zhou’s “Ladies and Flowers”, Zhang Xuan’s “Madame Tuo Guotun Spring” and Li Si-xun and Li Zhaodao’s patrician and Jin Biqing’s pavilions all reflect this period Prosperity of art in the flourishing era of art. Song Zhang Zeduan’s “River Picture of the Ching Ming,” Zhao Yong’s “Xue Jiang Gui Zu map”, Su Hanchen’s “shop map”, Yuan Jiang and Yuan Yao landscape paintings, etc. also