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松本清张是日本社会派推理小说的始祖,同时也是世界文学史上的巨匠。本论文以他的代表作品《砂器》和《点与线》为中心,对松本清张社会派推理小说中社会性的表现进行分析。采用崭新视点,利用《广辞苑》《日汉大辞典》中关于“社会性”的解释,明确“社会性”一词的含义——犯罪动机的社会性与故事背景的社会性,结合对麻风病人的社会歧视、战后日本民众“隐藏过去”的普遍意识、官商勾结、拜金主义盛行等具体事实,说明松本清张社会派推理小说中“社会性”的表现,并对日本战后社会的特点及松本清张社会性风格的成因进行总结。
Matsumoto Chingchuang is the ancestor of Japanese society to send a reasoning novels, but also a master in the history of world literature. This dissertation analyzes the social performance in the novels of Matsumoto Qingshi’s social school based on his representative works “sand-machine” and “point and line”. Using a new point of view, using the interpretation of “social ” in the “Dictionary of Japanese-Chinese Dictionary” in Guangcongyuan to make clear the meaning of the word “social ” - the social background of criminal motives and the background of the story The social discrimination of leprosy patients, the general awareness of post-war Japanese people, the concealment of the past, the collusion between officials and merchants, the prevalence of money worship and other specific facts show that Matsumoto’s “Social” Performance, and summarizes the characteristics of Japan’s post-war society and the causes of Matsumoto’s cleverest social style.