我从事佛教壁画临摹与美术考古研究缘自于我1993年到新疆龟兹研究所工作,在克孜尔、克孜尔尕哈、森木塞姆等龟兹石窟进行壁画临摹研究工作,进而由画画渐渐进入学术研究领域。我最初是画山水画的,小时由临习《芥子园画传》开始学习传统树石山峦的画法,后来用传统笔墨到天山中写生,从自然中体悟笔墨,在实践中探索怎样用传统笔墨表现新疆天山的山峦结构与意境,用这种方式进行山水创作。随着深入,思考的面也多了起来。那时思想处于十字路口,我从小学习的基本是中国画和与其相关的传统文化,后在大学学习的多是西画系统的 I engaged in Buddhist murals copying and art archeology from the edge of my work in 1986 to Xinjiang Qawz Institute, in Kizil, Kizil Gaha, Sen Muce and other Qizi Grottoes mural copying research work, and then by the painting Painting gradually into the field of academic research. I was originally painting landscape paintings. I started to learn the traditional painting of stone trees and mountains from the “Mustard Garden Painting Biography” in the first hour. Later, I used the traditional ink and brush painting in the Tianshan Mountains to understand the ink from nature. In practice, I explored how to use traditional ink Performance of Tianshan mountains in Xinjiang structure and artistic conception, landscape creation in this way. With more in-depth, more thoughtful face up. At that time, thinking was at a crossroads. Since I was a child, I basically learned Chinese painting and its related traditional culture. Later, I studied mostly at the university in western painting system