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《三四郎》、《后来的事》、《门》是夏目漱石的爱情三部曲,是以主人公的情感为主线,通过情感的变化过程来显示其内心性格的变化的。但从深层剖析,男女主人公却有着很大的差别,悲剧的色彩显示在男性因情感而得到的外在的经济、社会地位上的困难,而在女性身上则仍然没有因为情感的自由而得到真正的解放,在经济、社会地位上更是一筹莫展,对个性自由的追求显得很无奈。而女性的解放也是附从于男性的自由,这个过程是漫长的,是需要更多的努力和经历困苦才能实现的。
“Sanshiro”, “Later Things” and “The Door” are the love trilogy of Soseki Natsume. Based on the hero’s emotions, the door shows the changes of his inner character through the process of emotional changes. However, from a deep analysis, there is a great difference between the hero and the heroine. The color of the tragedy shows the external economic and social difficulties that the men get because of their emotions. However, women still do not get real because of emotional freedom The liberation in the economic and social status is even more helpless, the pursuit of individual freedom is very helpless. And the emancipation of women is also attached to the freedom of men. This process is lengthy and requires more efforts and hardship.