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本文以二十世纪六七十年代广东部分美术家的成长与创作历程为案例,分析了“社会主义新传统”中的美术与政治、文化的复杂关系。社会意识的高度统一是当时的时代特色,在保持社会意识高度统一的同时,广东的部分美术家展现了自己的艺术创造性,在文革期间的中国美术史上留下了独特鲜活的风貌。如果说文革期间的艺术创作以一切为政治服务的方式与社会现实发生密切关联的话,当今中国的艺术创作则有游离于社会现实的倾向,因此,艺术的社会学转向成为今天人们必须面对的课题。
Taking the growth and creation of some artists in Guangdong in the 1960s and 1970s as an example, this article analyzes the complex relationship between art and politics and culture in the “New Socialist Tradition”. While maintaining a high degree of social unity, some of the artists in Guangdong demonstrated their own artistic creativity and left a unique and vivid style in the history of Chinese art during the Cultural Revolution. If the artistic creation during the Cultural Revolution was closely related to the social reality with all the ways of serving politics, today’s Chinese art tends to be free from social reality. Therefore, the sociological turn of art should become the one that people must face today Question.