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一九五三年至一九五四年(北京)一九五三年九月二十日戏曲表演主点在表达剧中人的感情波动。剧中人的语言(唱和白)、动作是被感情波动牵引着的,因此从语言、动作透出剧中人的感情是戏曲表演的首要任务。戏曲音乐是唱腔和做派向前方进展的辅导力量,音乐的复杂对唱和做的多面化是有帮助的。但不能离开唱和做的辅导任务独自要求复杂,它不当与一般音乐混为一谈。戏曲的唱词、做派因音乐简单而不能细腻表现情感或充分表达情感,但音乐不求切合情感波动,只
From 1953 to 1954 (Beijing) On September 20, 1953, the main point of the drama performance was the emotion of the person in the drama. The people’s language (singing and white) in the dramas is motivated by the fluctuation of emotions. Therefore, it is the primary task of theatrical performances to express the emotions of the dramatis personae from the language and actions. It is helpful for the opera music to be a singing force and a counseling force for making progress toward the front, complex singing of music and multifaceted music. However, the task of counseling, which can not be separated from singing and doing, requires complexity alone, and it is improper to confuse it with general music. The libretto of the opera does not simply express the emotions or express the emotions simply because of the music, but the music does not demand the emotional fluctuation