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进入新千年后,广东话剧界议论最多的话题之一,恐怕就是“行为戏剧”了。多数人觉得这又是导演王佳纳新的“鬼点子”。的确,到目前为止,我们也没有从词典或教科书上找到有关“行为戏剧”的只言片语。王佳纳和她儿子熊早的这次合作从艺术上讲也许还有可商榷之处,但它的新颖却不能回避:走出舞台,参与生活,文企联合,走向大众……这不正是我们今天的文艺工作者所苦苦寻找的么?
After entering the new millennium, one of the most talked-about topics in the Cantonese drama community is probably “acting drama.” Most people think this is another new director Wang Jia Na “ghosts.” Indeed, so far we have not found a single word about “acting drama” in dictionaries or textbooks. This cooperation between Wang Jia Na and her son Kuo Zao may still be debatable artistically, but its novelty can not be evaded: going out of the stage, participating in life, joining hands with the people and enterprises, and going to the public ...... This is not what we Today’s artists are looking for it?