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荷兰汉学家高罗佩先生的后人向重庆中国三峡博物馆捐赠其生前收藏的一批文物,其中有一件朱红色漆屏风,在荷兰运往中国途中局部发生碎裂脱落,需要保护修复以恢复其文物价值和展览价值。本文对其中一块碎裂样品进行系列无损及微损分析,通过三维视频显微镜观察其形貌,发现表面无髹漆层,在扫描电镜能谱仪、X射线荧光仪、X射线衍射仪的结果中未发现传统红色颜料朱砂、铁红,有一定量的四氧化三铅、硫酸钡。傅里叶红外光谱仪分析其中含有大漆、硫酸钡、碳酸钙、氢氧化钙。分析观察的结果表明屏风制作工艺与传统剔红工艺所用原料不同,更接近于清代以后流行的堆漆工艺。科学分析结果提供了详细的漆屏风的工艺信息,并对保护修复工作给出一定启示。
The descendants of the Dutch sinologist Mr. Gallopei donated a batch of cultural relics collected in his lifetime to the Three Gorges Museum in Chongqing. Among them, there was a vermilion screen that partially broke off during the Netherlands to China and needed protection and restoration to restore its relics Value and exhibition value. In this paper, a series of fractured samples were analyzed for their non-destructive and micro-damage. The morphology of the samples was observed by three-dimensional video microscope. The surface of the samples was found without smear. The results of SEM, X-ray and X-ray diffractometer Did not find the traditional red pigment cinnabar, iron red, a certain amount of lead tetraoxide, barium sulfate. Fourier transform infrared spectroscopy analysis which contains paint, barium sulfate, calcium carbonate, calcium hydroxide. Analytical observation shows that the screen making process is different from that of the traditional ticking process, which is closer to the popular heap-painting process after the Qing Dynasty. Scientific analysis results provide detailed paint screen information, and provide some enlightenment on the protection and restoration work.