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“诗人海子的死将成为我们这个时代的神话之一”。在海子死后不到一年,他的生前好友西川如是说。如今将近二十多个年头过去了,海子的死通过一次次的解读和阐释,似乎已然成为这个当下“诗歌已死”时代的唯一神话。在海子谢世十周年之际,《诗探索》编辑部推出了题为《不死的海子》的纪念文集,精选了友人追忆海子、解析海子诗歌的文章共29篇,其时间跨度几乎涵盖整个九十年代。本文选取《不死的海子》中的一篇——以张清华的《在幻像和流放中创造了伟大的诗歌》为研究个案,去管窥张清华运用了怎样的阐释策略去阐释海子的诗歌,使海子的诗成为一代史诗、一代神话。
“The death of the poet Haizi will become one of the myths of our time ”. Less than a year after Haizi’s death, his ex-friend Nishikawa said. Nearly twenty years now have passed. The death of Haizi, after reading and interpreting time and again, seems to have become the only myth of this present era of poetry dead. On the tenth anniversary of the death of Haizi, the editorial department of “Poetry Exploration” launched a memorial collection titled “Immortal Haizi”. A total of 29 essays were selected by friends for recollecting Haizi and parsing Haizi’s poems, covering a period of almost nine The decade. This article selects one of “The Immortal Haizi” - with Zhang Qinghua’s “Creating Great Poems in Phantasms and Exiles” as a case study, to find out what Zhang Qinghua’s interpretation strategies are used to explain Haizi’s poems so that Haizi’s Poetry has become a generation of epics, a generation of myths.