在我熟识的戏曲编剧当中,无不有着挥之不去的观众情结。每当一部新的作品诞生(或搬上舞台),他们往往都会神情专注地站立舞台一旁,或干脆置身于观众席里,一边注视着台上演员的表演,一边留意着身边观众的反映;那些令人动情之处观众是否掉泪了?那些令人开怀大笑的地方观众是否笑得开心?苦心设置的感人情节及艺术处理,观众认可接受?演员对其作品的艺术体验(体现),观众喝彩鼓掌了吗…… Among all the screenwriters I know, there is a lingering audience complex. Whenever a new piece is born (or onto the stage), they tend to stand on the stage with a special focus on the stage, or simply sit in the auditorium while watching the performance of the performers on the stage while watching the reflection of the audience around them; Are those people who are emotionally involved in the audience who shed their tears? The laughter of the local audience are happy? Painstakingly set the touching plot and artistic treatment, the audience accepted? The artist’s artistic experience (reflection) Audience applauded applause it ...