一审美无利害在18世纪的经验主义美学那里萌芽,经由康德正式提出,后在叔本华、布洛和闵斯特堡等人中得到发展。自康德把审美无利害作为与知识和道德领域区分的不同特征后,审美无利害就成为现代审美的一般原则,并为后世美学的发展规定了方向。无论叔本华的审美“静观说”、还是布洛的“心理距离说”、闵斯特堡的“孤立说”等都是康德审美无利害理论的变相发展,它们是一系列家族相似的概念。尽管审美无利害作为现代审美的核心原则 The aesthetics of the first instance was sprout in the empirical aesthetics of the 18th century, formally proposed by Kant, and then developed in Schopenhauer, Blois and Minterburger. Since Kant regarded aesthetic harmlessness as a distinctive feature from the field of knowledge and morality, aesthetic interest has become the general principle of modern aesthetic and set the direction for the development of aesthetics in later ages. Regardless of Schopenhauer’s aesthetic “static view ”, or Blod “psychological distance ”, “Minsterberg’s ” said "and so on are all Kant’s disguised development of aesthetic non-harmful theory, they are A family of similar concepts. Although aesthetic harmlessness as the core principle of modern aesthetic