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李少红导演针对目前国产电视剧缺乏影像本体意识的自觉,率先把电影中的创作理念、修辞策略、技术技巧、视听语言个性化地运用于电视剧的创作之中,把电影的精品观念、造型能力、语言魅力再现于荧屏,努力开拓、导引普通大众的审美意识、审美感知和接受限度,把影像叙事、空间造型、人物造型、声音造型、意象的营造、服、化、道的精心打造、镜头的运动等艺术元素注入其中,使影、视各自的艺术之美获得了较高美学层次的审美实现和视野交融,以此提升电视剧的审美层次和艺术品位,从而也相应带动提高了观众的审美情趣和文化素养。《橘子红了》以唯美的画面、精致的造型,结构起一部诗化的电视剧。
Directing against the current lack of self-consciousness in image-based TV series, director Li Shaohong took the lead in applying the creative ideas, rhetorical strategies, technical skills and audio-visual language in the creation of the TV drama to making the film’s concept of quality, modeling ability, language Charm reappears on the screen, strives to open up and guide the general public’s aesthetic awareness, aesthetic perception and acceptance limits, the image narrative, space modeling, character modeling, sound modeling, image creation, clothing, and Tao carefully built, the lens Sports and other artistic elements into them, so that the shadow, depending on the beauty of their art received a higher aesthetic level of aesthetic realization and vision blending, in order to enhance the aesthetic level of the TV series and artistic taste, which in turn led to enhance the audience’s aesthetic taste and Cultural accomplishment. “Orange red” beautiful picture, exquisite style, structure from a poetic drama.