对于20世纪中国美术史的研究及展览,近年来已成为热点是不争的事实。但总体看对于卢沉、周思聪先生这一辈艺术家的关注度,远远少于齐白石、黄宾虹、李可染、傅抱石等,而对活跃于20世纪上半叶的艺术家的研究,也远远少于对20世纪80年代以来当代艺术的研究。他们仿佛是两者的过渡阶段,当下对他们作为独立板块的探求相对薄弱。而且,对于这一辈艺术家的研究与对齐白石等艺术家的研究不同,“齐白石们”至少在国内是无须做价值判断性的 It is an indisputable fact that the research and exhibition of Chinese art history in the 20th century has become a hot spot in recent years. However, as a whole, there is far less attention paid to this generation of artists by Lu Shen and Zhou Sicong than by Qi Baishi, Huang Binhong, Li Keran, Fu Baoshi, etc. The research on artists active in the first half of the 20th century is far less than Research on contemporary art since the 1980s. They seem to be the transitional stages of the two, and their immediate quest for independence as a plate is relatively weak. Moreover, for the study of this generation of artists and the alignment of the artist’s research, such as Whitehead, “Qi Baishi” is at least not worth judging in the country