樋口一叶是日本明治时期女性作家的第一人,虽然作家生涯苦短,但却留下了《浊流》、《十三夜》、《青梅竹马》等不朽名作。其代表作《青梅竹马》,蕴含了日本古典文学之美,在近代日本文坛占据着不可动摇的一席之地。《青梅竹马》这部作品,以明治二十年间的吉原风情为背景,用精致的笔触对生活在那里的少男少女进行了描写。小说以妓馆的养女美登利为主人公,通过美登利的悲哀成长,暗示了时代背景下孩子们不可逃避的命运。本文将以《青梅竹马》为中心,对樋口一叶所描绘的少男少女的世界进行分析。 Ichiro Ichihashi is the first Japanese woman writer in the Meiji era. Although his writer’s career is short, he has left immortal masterpieces such as “Drizzle”, “Thirteen Nights” and “childhood sweetheart”. Its masterpiece “childhood sweetheart” contains the beauty of Japanese classical literature, occupying an unshakable place in modern Japanese literature. “Childhood sweetheart” This work, with the Meiji two decades of the Jiyuan style as the background, with exquisite brush strokes on the lives of boys and girls were described. In the novel, Meidenlee, daughter of a prostitute, is the heroine, growing up through the sadness of Medellin, suggesting the inevitable destiny of the children in the era. This article will be “childhood sweetheart” as the center, to describe a young boy and girl portrayed in the world.