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在华语科幻片从无到有的转型期,我们仍然需要《逆时营救》这样的电影。科幻迷都还记得吧,2014年,一大批华语科幻片立项,伴随着刘慈欣的小说纷纷落地影视版权,媒体也一蜂窝放卫星,把2015年吹成中国科幻元年。结果可想而知,元年都过去两年了,当年风风火火上马的那些科幻大片,搁浅的搁浅,没影的没影,反正半个也没拍出来。去年方君写阿根廷科幻片《地铁迷宫》时谈到,中国要拍科幻片,不能急着打造巨
In the transitional period of Chinese sci-fi films from scratch, we still need to “reverse rescue” such films. Science fiction fans still remember it. In 2014, a large number of Chinese-language science fiction projects were launched. Along with the novels by Liu Cixin, they all came to film and television rights. The media also put a honeycomb satellite to blow 2015 into the first year of Chinese science fiction. The results can be imagined, both the first year of the past two years, those energetic staged those science fiction movies, stranded ran aground, no shadow no shadow, anyway, did not shoot half out. Last year, Fang Jun wrote the science fiction film in Argentina, “Metro Maze,” when it came time for China to make science fiction films and not hurry to build giant