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本文对以往陶瓷论著中所统计的底部刻有“奉华”铭文的瓷器进行了细致的考察,发现能够得到实物证明的仅有五例。文章进一步确认,“奉华”是南宋高宗时期刘贵妃的书画印鉴和使用标志,其最大时限在绍兴至乾道之间的40年中。通过对“奉华”刻铭工艺及书法风格的比较分析,现存“奉华”铭文中除两例定窑瓷器外,其余均非南宋原刻。由此,对所谓“钧台窑址出土之钧窑奉华出戟尊”的说法提出质疑,结合“奉华”铭原刻的时代,否定了该器物标本存在的可能性。
In this paper, the porcelain with “Feng Hua” inscription inscribed on the bottom of the previous statistics of ceramics was carefully inspected and found that only five cases could be proved in kind. The article further confirmed that “Feng Hua” was the painting and calligraphy seal and symbol of Liu Guifei during the Southern Song Dynasty Gaozong period. The maximum time limit was 40 years between Shaoxing and the main thoroughfare. Through the comparative analysis of “Feng Hua” engraving process and calligraphy style, the extant “Feng Hua ” inscription except for two cases of porcelain kiln, the rest are non-Southern Song carved. Therefore, it is questioned whether the so-called “Jun Kiln unearthed at Junkai Kiln Site” was rejected or not, combined with the era of “Feng Hua” and “Ming Yuan Mo” denied the possibility of existence of the specimen.