近松门左卫门,是日本江户时代古典戏剧作家,享有“日本莎士比亚”的盛誉。他一生共创作了人形净琉璃剧目120余篇。既有对英雄传说、历史故事的加工、润色,也有对时下市井生活、新闻事件的借鉴和改编。在近松的再整合、再创造的过程中,很多作品的主题出现了重心位移或根本转换,人物形象的刻画也产生了相应的转变,而 Near the door of the Monasticism, is Japan’s Edo period classical drama writer, enjoy “Japanese Shakespeare ” reputation. His life created a total of more than 120 pieces of humanoid net glass repertoire. Both the heroic legends, the processing of historical stories, polish, but also for the current market life, news events and adaptation. In the process of reintegration and re-creation of the Song Dynasty, the theme of many works appeared to shift the focus or transform fundamentally, and the characterization of the characters also produced a corresponding change.