王国维在《人间词话》中所作“无我”、“有我”二境界分别为“优美”、“宏壮”的判断,不仅与我国古典诗词创作和欣赏的实际相乖违,而且从学理层面看也存在两大理论误区:一是片面解读叔本华的“优美”、“宏壮”论,并以此为前提,单凭把握“无我”、“有我”二境界的主体心理特征分别与“优美感”、“宏壮感”相似之一端而遽下断语;二是在移用西方美学概念来讨论我国的文学现象时,忽视了中西两种文化之间的差异。 The judgment made by Wang Guowei in “No I ” and “With Me ” in “Human Words” is respectively “Beautiful” and “Strong”, not only with the creation and appreciation of classical Chinese poetry In fact, there are two theoretical misunderstandings: First, one-sidedly interpret Schopenhauer’s “graceful ”, “macro ” theory, and as a precondition, No me “and” there is me ". The second is using the concept of western aesthetics When discussing the literary phenomenon in our country, we neglected the differences between the two cultures.