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前不久,靳尚谊先生在“中华意蕴——中国当代油画艺术国际巡展(法国展)”于中国美术馆汇报展研讨会上的一句话,可谓语惊四座。他说:“西欧人看了这批代表中国当代油画艺术水准的油画,大概会觉得中国人学习他们油画学得还不错,仅此而已!中国拿到西方,真正能够让他们敬佩的绘画艺术还是中国画!”这类话,傅抱石、李可染都曾说过,但语出一位画了一辈子油画并在当下国内享有崇高学术威望的油画家之口,意义就不同寻常了。联想靳先生近些年在浅空间中寻求平面与线条有意味转换的油画探索,大概也颇能体味出这位老先生在晚年对于中
Not long ago, Mr. Jin Shangyi in the “China Implications - China International Exhibition of Contemporary Oil Painting (France) ” at the China Art Museum Symposium Symposium a sentence can be described as terrified four. He said: “Western Europeans looked at these oil paintings representing the contemporary art level of Chinese oil paintings, and they probably think that it is not bad for the Chinese to learn how to make their oil paintings. Only by doing so can western China really make them admire the art of painting Or Chinese painting! ”Such words as Fu Baoshi and Li Keran once said that it is very unusual for an artist who has painted a lifetime of oil painting and enjoys the lofty academic prestige in the present country. In recent years, Mr. Jin Jin in shallow space to seek the meaning of plane and line conversion of oil exploration, probably also quite appreciate the old gentleman in his later years for the