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在中国画发展的历史中,形成了结构完整的体系,同时也因其体系中长期形成的程式,使中国画画家的突破十分困难。 联系目前美术界的实际情况可以发现,许多画家直至一生的创作作品都不能被美术史接纳,不能成器,主要原因是作品基本上没有学术性,比如一味地水冲式的破墨和墨破水,除了让外行人士有些兴趣之外,就不再有学术上的探索意义,所以就发展与创新而言这类画家的创作没有任何价
In the history of the development of Chinese painting, a system of complete structure has been formed. At the same time, it is also very difficult for Chinese painters to make breakthroughs due to the long-term program formed by the system. Contact with the current actual situation of the art world can be found that many artists until his creative works can not be accepted by the history of art, can not be a device, mainly because the works are basically non-academic, such as blindly water-based ink and broken ink broken ink, There is no longer any academic exploration beyond layman interest, so there is no price for such painters in terms of development and innovation