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1986年春,李法曾因在电视连续剧《诸葛亮》中出色地扮演了诸葛亮一角,荣获第六届电视剧“飞天奖”最佳男主角奖。消息传来,法曾沉浸在兴奋之中,然而心头却不时掠过一丝愧意:自己在话剧舞台上尚没有取得更好的成绩。其实,熟悉法曾的人都知道,如果他在话剧表演上没有较深厚的功底,要想在电视屏幕表演上夺魁,那是不可能的。追求创造“活人”的艺术法曾有不少天赋条件,在话剧舞台上,他常常扮演正面人物或英雄形象,如《爱情之歌》中的解放军连长杜伟立,《被控告的人》中的海关关长龙汉生等等。但是,他从不满足于表面化地刻面人物,概念化地塑造形象,更反对把正面人物、英雄人物“神化”,
The spring of 1986, Li Fa was in the television series “Zhuge Liang” excellent play Zhuge Liang corner, won the sixth drama “Flying Award” best actor award. The news came that Law was immeasurable in excitement, but my mind passed a shame from time to time: I have not achieved any better results on the stage of the drama. In fact, people who are familiar with France’s law know that it is impossible for him to win a first prize on TV screen performances if he does not have a deep foundation in drama performance. There are many natural conditions for pursuing the creation of “living human beings.” In the drama stage, he often plays a positive figure or a heroic figure. For example, Du Wei Li, commander of People’s Liberation Army in “Song of Love,” and “accused person” The Commissioner of Customs and Excise Long Hansheng and so on. However, he was never content with carving out face-to-face figures, conceptualizing images and opposing “deification” of positive figures and heroes,