陶瓷雕塑创作,在五十年代初期短暂繁盛之后,沉默了许多年!去年,中国美术馆在北京举办了一个《小型雕塑展览》。大家看过,都很兴奋。展览会展出的陶、木、铸铜等作品,可以说明装饰雕塑家在人民生活中,也在我国优厚的文化传统中,一直没有停歇地努力奋斗着。《独立》(见图版页42)的作者长期生活在陶瓷产区,娴熟制陶工艺,掌握了釉料的科学技术性质,能够驾驭同时又善于艺术地用来表现作品。在第二次制做《独立》时,依样选用紫金、乌金釉,并施挂颜色鲜艳在烧造过程中易流动的钧红釉,更采用有结晶斑点感觉华美的铁红釉,表现非州人民欢庆自己的节日。十余年前创作毁于一旦的作品,这次才有机会重新呈献给人民。那用白色纹片 Ceramic sculpture, after a brief period of prosperity in the early 1950s, has been silent for many years! Last year, the National Art Museum of China held a “Small Sculpture Exhibition” in Beijing. We have seen, are very excited. Works on display at the exhibition include pottery, wood and bronze, which shows that decorative sculptors have worked hard without stop and in people’s lives as well as in the generous cultural traditions of our country. The author of “Independence” (see photo, p. 42) has long lived in a ceramic producing area where he skillfully mastered pottery techniques, mastered the scientific and technical properties of glazes, manipulated them and used them to perform works of art at the same time. In the second system to do “independent”, according to the same choice of Zijin, black gold glaze, and applied to hang brightly colored in the process of easy flow Jun jun glaze, but also with crystal spots feel gorgeous iron red glaze, the performance of non The people celebrate their holiday. More than a decade ago created works destroyed, this time have the opportunity to re-present to the people. That with white stripes