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斯妤写小说的历史并不长,但在这不长的历史中她不但保持着一种比较稳定的产量,而且还以自己对于现实的特殊敏感和深刻体认营构出了纯粹个人化的文本风格。在此意义上,她的第一部长篇小说《竖琴的影子》,既以其日臻成熟的风格代表了她小说创作的最高成就,又以其大胆而新锐的艺术探索标志着她小说创作新阶段的来临。在我看来,这部小说无疑是90年代中国长篇小说创作中为数不多的具有较高艺术水平的作品之一,无论对于斯妤的个人创作历程,还是对于中国当代文学史来说,这都是一部不应被忽视的重要作品。
The history of Sri Lanka’s writing novels is not long, but not only has she maintained a relatively stable production in this short history, but she has also created a purely personal style with her own special sensitivity and profound understanding of reality Text style. In this sense, her first novel, “The Shadow of a Harp,” not only represented the highest achievements of her novels in her increasingly sophisticated style, but also marked her new stage of novel creation with her daring and cutting-edge artistic exploration The advent of. In my opinion, this novel is undoubtedly one of the few works with a high artistic level in the creation of Chinese novels in the 1990s. No matter for Sri Lankan’s personal creation process or for the history of Chinese contemporary literature, All are important works that should not be overlooked.