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我国动漫产业作为特定文化种类,目前已经形成系统化制备格局,这主要是由于长期经受欧美电影和日韩专业作品类别的影响,令原本处于动画制作巅峰的我们开始体验换位对比的真实效果,并从中领悟自我调整的重要性。中国动漫陷入创作和收看危机是很久之间的事情,目前因为内部主创团队和处理系统不够正规,因此市场流通的各类作品样式比较混乱,令这种望尘莫及的紧张感骤然加深。中国动漫设计工作治理,需要秉承特定文化价值观的表达思想,毕竟世界对中国传统文化习惯和人文情感体制还是比较认同的,我们应该严格抓住这类商机,发挥创作源泉基础,保证不同竞争团队的专业素质,进而带动产业规模的壮大。
As a specific cultural genre, China’s animation industry has now formed a systematic preparation pattern. This is mainly due to the long-term impact of the European and American films and the categories of professional works by Japan and South Korea. As a result, we are beginning to experience the true effect of the transposition compared to the peak at animation. And understand the importance of self-adjustment. It is a long time since China’s animation industry fell into the process of creating and viewing the crisis. Currently, due to the lack of formality of internal creative teams and processing systems, the variety of works circulated in the market is rather chaotic, which has suddenly deepened the sense of tension beyond its reach. China’s animation design work governance, need to uphold the expression of specific cultural values, after all, the world of traditional Chinese cultural and human feelings system is still relatively agree, we should strictly seize this opportunity to play a creative foundation, to ensure that different competing teams Professional quality, and then promote the growth of industrial scale.