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接受美学的创立,使得文学理论的思维重点由以文本为中心转移到以读者为中心。接受美学将文本视作一个多层次的开放式的图式结构,其理论发展也呈现出一种开放的状态。在阐释文学的本质之时,受到多方面理论的影射,研究重心的转移使读者走向文学的具体化,文本的开放以及读者的介入让文本意义走向未定,在向古老的文学史的图式的挑战的过程之中重构文学史。
Accepting the creation of aesthetics, making the focus of literary theory of thinking from the text as the center shifted to the reader as the center. Accepting aesthetics regards the text as a multi-level, open schemata, and its theoretical development also shows an open state. In interpreting the essence of literature, it is influenced by many theories and the shift of research center of gravity leads readers to the concreteness of literature. The openness of text and the intervention of readers make the meaning of text undetermined, Reconstruct the History of Literature in the Process of Challenge.