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一九八五年四月,中国青年艺术剧院著名导演陈顒将布莱希特的名剧《高加索灰阑记》搬上舞台,并以此剧参加在北京召开的“中国第一届布莱希特周”。一九八六年十二月,《高》剧应“第七届国际布莱希特研讨会”和香港中华文化促进中心的邀请,赴香港参加“国际布莱希特节”。演出引起了许多国家的布莱希特研究专家和导演的浓厚兴趣,受到香港戏剧界和广大观众的热烈欢迎,香港的新闻传播媒介对此作了广泛的报导、介绍、专访和评价,提出了一些值得深入研究的理论与实践课题。我有幸参加了上述两次活动,并多次观摩演出,现将笔记本中零零碎碎的札记整理如下:
In April 1985, the famous director of China Youth Art Theater, Chen Xuan, put Brecht’s famous play “Caucasus” into the stage and participated in the drama “The First China Bly Hit week. ” In December 1986, the “High” Drama should go to Hong Kong to attend the “International Brechit Festival” at the invitation of the “7th International Brecht Seminar” and the Hong Kong Chinese Culture Promotion Center. The performance attracted a great deal of interest from Brechtian researchers and directors in many countries and was warmly welcomed by the Hong Kong theater industry and the audience. The media in Hong Kong made extensive reports, presentations, interviews and evaluations Some theoretical and practical issues deserve further study. I have the honor to participate in these two activities, and repeatedly observed the performance, now notebooks fragmented notes are organized as follows: