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中国是世界上陶瓷历史最悠久的国家之一,也是世界文明古国之一。而今日的中国陶瓷艺术其形貌如何?它是否能生存下去一如已往之光荣?在众多现代艺术的形式中,现代陶艺如何才能占有强有力的发言权?一切疑问的源头都来于当代艺术正面临着现代的语言转向。现代语言学的转向不仅是世界当代艺术所面临的问题,更是中国现当代陶艺需要完成的使命。那么,与盲目被动地学习已较为成功转向的西方现代艺术相比,是否静下心来以“文化自觉”的意识重新回顾民族历史更能把握现代陶艺的转向优势呢?这里主要就这些问题进行探讨。
China is one of the oldest ceramics countries in the world and one of the ancient civilizations in the world. However, what is the shape of today’s Chinese ceramic art? Can it survive as it has been in the past? How can modern ceramics occupy a powerful voice in many forms of modern art? The source of all the questions comes from contemporary art Is facing a modern language shift. The shift of modern linguistics is not only a problem faced by contemporary world art, but also a mission that Chinese modern and contemporary potteries need to accomplish. Then, compared with Western modern art, which has blindly and passively studied the more successful turnaround, is it possible to stop and re-examine the history of the nation with the consciousness of “cultural consciousness” to grasp the turning advantage of modern ceramics? To explore.