漫画风格的发展是由两种联合作用的力量决定的,实际观察和抽象能力。直觉地、迅速地观察的主观性完成了自发的草图意义的追求,为了记录这瞬间的印象,艺术家借用了象征性的速记或设计的方法。(如以梨子比喻路易·菲力浦),它们便于接受和广泛流传。漫画融合了这种奥妙无穷的广泛出现的因素, The development of comic style is determined by the strength of the two combined forces, the actual observation and abstract abilities. Intuitively, the subjectivity observed rapidly completes the quest for spontaneous sketch meaning, and in order to record this instant impression, the artist borrows a token shorthand or design approach. (Such as the pear analogy Louis Philippe), they are easy to accept and widely circulated. The manga incorporates such a seemingly infinite element of widespread appearance,