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中华文明有着悠久的历史和灿烂的文化,中国画作为中华文明孕育的艺术瑰宝,以其独特的视觉语言体系和审美追求而屹立于世界艺术之林,其影响遍及“东亚文化圈”的所有国家。然而,了解中国画的人都发现,中国画,特别是宋元以后的中国画,色彩的比重在画面中越来越小,画面越来越素淡,在传统的画论中甚至提出了“不贵五彩”的观念,这些现象使得不太了解中国艺术的外国专家和学者们困惑不已。
Chinese civilization has a long history and splendid culture. Chinese painting, as a gem of gestation of Chinese civilization, stands in the world of art with its unique visual language system and aesthetic pursuit. It affects all countries in the “East Asian cultural circle.” However, people who know Chinese painting find that the proportion of Chinese painting, especially that of Chinese painting and color after the Song and Yuan Dynasties, is getting smaller and smaller in the picture, and the picture is more and more plain. In the traditional painting theory, even the “uncommon” These phenomena have perplexed foreign experts and scholars who do not know much about Chinese art.