论文部分内容阅读
战国玺印一向以风格多样称著印学史,其风格的形成除了缘于地域书风外,大多得益于创作(制作)过程中章法的匠心独运、分朱布白的巧妙变化及形制的多样性等。得天独厚的章法布局是后来秦汉印及流派印所无法比拟的。简单地将古玺印的流变作一个梳理,意在探讨古玺原创对当代篆刻创作的意义。古玺展现给我们的是一种方寸空间所营造出的自由自在,其章法、篆法、线质所透露出的天趣正是远古时代先民朴茂精神的外化。它不同于汉印或流派印,文字独立含义
Seal of War of the Warring States Period has always referred to the style of Indian history as a diverse style, except for the formation of its style due to the geographical style of books, mostly due to the creative (production) chapter of the lawlessness, subtle changes and the formation of Zhu Bubai Diversity and so on. The blessing of the law is the layout of Qin and Han India and India later unmatched. Simply to the ancient seal printed flow as a carding, intended to explore the origin of ancient seal seal engraving significance. The ancient seal shows us a kind of free space created by the free space, its chapters, seal law, the line revealed by the nature of the day is the ancestors Park Mao spirit of externalization. It is different from the printed version of Chinese or Indian, the text of the independent meaning