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油画自从诞生之日起,就和色彩紧密的联系在了一起,油画中的色彩处理,直接关系到一幅油画的成败,所以历代画家都对画面色彩的处理非常重视。从文艺复兴时期巨匠达芬奇的代表作可以看出,当时的人物画主要以固有色为主,到了19世纪浪漫主义画家的人物作品中,开始出现了光源色和环境色的影子,之后的印象派画家把色彩的表现推向了一个高峰。近代,绘画流派五花八门,有借鉴印象派色彩的写实画家,也有一部分画家放弃了客观自然的色彩,以表现性色彩和装饰性色彩处理画面。油画人物经过了无数代画家的探索,到了现在仍有广阔的空间去探索。
Since the date of birth, oil paintings have been closely linked with the colors. The color processing in oil paintings is directly related to the success or failure of an oil painting. Therefore, ancient painters attach great importance to the color processing of paintings. As can be seen from the representative works of Renaissance masters Leonardo da Vinci, the portraits of the time mainly dominated by inherent color, and in the works of characters of romantic painters of the 19th century began to appear the shadow of light source color and environmental color. The impressionists The artist pushed the color performance to a peak. In modern times, the schools of painting varied in style, with realistic painters who borrowed Impressionist colors, and some of them gave up the objective and natural colors, displaying images of sexual colors and decorative colors. After many generations of oil painters to explore the artist, there is still a vast space to explore.