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随着时代的变迁,加上烟台这个沿海开放城市相对宽泛的经济文化环境,烟台水墨艺术逐渐从被政治影响的他律变为以绘画本体为主导的自律性发展,其在新千年的发展变得异彩纷呈,烟台的水墨画家们处于自由发挥、天马行空的自由创作状态,他们有的开始关注水墨这种绘画艺术本体,消解了其承载内容的主体地位从而走向了抽象;有的自觉的以水墨为表现载体,关注地域文化、都市社会;有的开始关注人与自然的关系,以特立独行的水墨艺术传达着当代人的所思所想,多元化的发展令当代水墨的评价标准也变得参差不齐,不再以社会意识形态的标准马首是瞻。
With the changes of the times and the comparatively broad economic and cultural environment in Yantai, a coastal open city, Yantai Ink Art has gradually changed from a law influenced by politics to an autonomous development dominated by painting itself. Its development in the new millennium Have colorful, Yantai ink painters are free to play, abstract creative state of freedom, some of them began to pay attention to the body of painting ink painting, digestion of the dominant position of content to the abstract; some consciously to ink As a manifestation of carrier, attention is paid to the regional culture and urban society. Some people begin to pay attention to the relationship between man and nature, and convey the thinking of the contemporary people with the maverick ink art. The diversified development also changes the evaluation criteria of contemporary ink painting To be uneven, no longer the standard of social ideology is the first look.