戏曲身段是戏曲表演的重要组成部分,也是戏曲演员塑造人物形象的重要手段,具有独特的艺术魅力。而甩发的戏曲表演程式是戏曲表演用来刻画人物、表现人物性格必不可少的身段。甩发功主要用来表现人物的激怒、惊恐、疯癫、绝望、挣扎等心理活动。戏曲甩发常用于老生、小生等行当,也可见于武生、净与旦角。但是,在老旦这一行当中的使用是非常少见的。笔者结合本人在演出《血手印·路遇》一折时,运用了甩发这一技巧,来表现林母为救儿子,匆忙赶路告状时急切、焦虑的心情。阐述了“甩发”功在戏曲中用来刻画人物、表现人物性格的重要性。 Opera figure is an important part of traditional Chinese opera performance. It is also an important method for opera actors to create characters and possesses unique artistic charm. The rejection of the drama performance program is a drama used to characterize the performance of character is essential figure. Throwing Fat Gong is mainly used to express the people’s anger, panic, madness, despair, struggling and other psychological activities. Drama rejection hair is often used in old students, niche and other businesses, but also seen in Takefu, net and Dan angle. However, the use of Lao Dan in this line is very rare. I combined with the performance of “blood fingerprints road encounter” a discount, the use of rejection of this trick to show the forest mother to save his son, hurried hurried pleading anxiety. It expounds the importance of “rejection of hair” used in portrayal of characters to express the character of the characters.