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关于音乐载体,尤其是环绕声音乐载体,其发展是一波三折,十分艰难,但是回顾—下却也十分有趣。一场只有少数人能参加的音乐会是不可能满足人们要求的,记录和复制出版技术就应运而生。上百年来的单声道录音方式和60年代兴起的双声道立体声录音方式,把回响在我们周围的美妙音乐,以更加自然的形式记录和回放出来。人们聆听自然界的声音时,无论是自然声还是人为声,无论乐声还是噪声,都是以环绕声形式被人耳接收的。但是由于科技水平的局限,还原出来的声音都走了样。其实大家就是凑合听,反正比没有好。
With regard to music carriers, especially surround music carriers, the development is twists and turns, very difficult, but the review - the next is also very interesting. A concert with only a few people is impossible to meet the demands of the people, and recording and copying of publishing techniques is a must. Mono recordings over the past century and two-channel stereo recordings rising in the 1960s bring wonderful music that resonates around us to more natural forms of recording and playback. When people listen to the sounds of nature, whether natural sound or human sound, noises or noises are received by the human ear in surround sound. However, due to the limitations of science and technology, the voices have been restored. In fact, everyone is improvising, anyway, better than nothing.