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潘天寿的一生,与20世纪中国画的命运密切相关。面对中国画的危机和争论,他以紧迫的使命感,为中国画的生存权利不屈抗争,尽力创造保存和发展中国画的教学和学术环境,延续了中国画特别是文人画的文脉传统,为20世纪80年代以后中国画的复兴奠定了教育和人才基础。本文根据中国美术学院和中央美术学院的档案及相关资料,梳理了20世纪50年代初期中央美术学院华东分院的中国画教学变化,从“彩墨画”这一概念和教学机制入手,探讨潘天寿在这一时期的艺术和教育活动。
The life of Pan Tianshou is closely related to the fate of Chinese painting of the 20th century. Faced with the crises and controversies of Chinese painting, with an urgent sense of mission, he persevered in the struggle for the right to life of Chinese painting and tried its best to create a teaching and academic environment for the preservation and development of Chinese painting. He continued the tradition of Chinese painting, especially literati painting, The revival of Chinese painting after the 1980s laid the foundation of education and talent. Based on the archives and relevant materials of China Academy of Art and the Central Academy of Fine Arts, this paper combs the changes of Chinese painting teaching at the East China Branch of the Central Academy of Fine Arts in the early 1950s. Starting with the concept and teaching mechanism of “Color Ink and Wash Painting” Artistic and educational activities during this period.