数千年来,肇乎本性之书法艺术表现出男女不同之性别品格,即书性。而受男权社会男尊女卑观念之长期影响,书法之书性观又呈显出以男性书家主导之男性品格倾向。书法品评之间,亦轻女性品格而重男性特色。由是禁锢女性发展,以致女性书法式微,女性品格不彰。而新时代下,男女平等,女性独立。女性书家正须外乘时代之利,内秉天成之性,内外相副,树立女性品格之艺术自觉,以此挖掘自我之潜质,彰显女性之精神,促进女性书法之时代发展。 For thousands of years, the callous nature of the calligraphic art has shown a difference in gender character between men and women, that is, book sex. By the patriarchal concept of patriarchal male long-term social influence, the calligraphy of the book of view of sexuality has also shown a predominance of male characters dominated by male characters. Between calligraphy evaluation, but also light female character and heavy male character. By imprisoning women’s development, women’s calligraphy style is neglected, and women’s character is not good. In the new era, women and men are equal and women are independent. Female calligraphers must take the advantage of the times, within the nature of Bingtian, meet both inside and outside, and establish the artistic consciousness of the female character in order to tap the potential of self, demonstrate the spirit of women, and promote the development of women’s calligraphy.