如果将这件黄杨木枕放在一间现代美术馆内,相信会贴上一个“解构主义”的标签。斫黄杨木一截,中间剖空,两端减地起棱,辅刻阴线,以象竹节,其形制与唐宋时期的陶枕相近,呈亚腰之长方,形制与装饰悖谬,使之原生态被“解构”,进而产生了一种颠覆视觉经验的审美歧义。 If you put this Boxwood Pillow in a modern art gallery, I believe I will put a “deconstruction” label.斫 a section of boxwood, the middle of the cut-off, reducing both ends of the ridge, auxiliary carved Yinxian, like bamboo, its shape and pottery pillows in the Tang and Song Dynasties are similar, was waist rectangular, shape and decoration absurd, so that The original ecology is “deconstructed,” which in turn creates an aesthetic ambiguity that subverts visual experience.