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有人断言:二十一世纪最重要的语言之一是视觉符号语言。符号是任何语言的基本单位,绘画的语言亦当如此。所以画面视觉符号的衍化、创造是我倾心追求的一个目标。在现代绘画领域中,视觉符号的构成方式是艺术家对心象的幻化及对自然反刍的结晶,是通过各种视觉符号要素的组构,表达艺术家对世界的理解,沟通人类精神领域的一种具有语言功用的交流形式,也是扩大人类审美范畴、拓展创造性思维的重要手段。对视觉符号的新价值的研究证明,康定斯基、保罗克利、米罗、达列等艺术大师是涉足符号领域的先驱。他们不仅对视觉符号在绘画作品中的地位和价值作了肯定,而且对于抽象绘画、视觉符号的构成方式以及相互间的关系所形成的视知觉在心理中的反应都不同程度地在创作画面中的每条线、每个点以至每一块色中表露出来,且各种符号在被他们界定的范围内,都得以最大限度的扩展,发出了强有力的冲击,扣动着人们精神的脉搏。因而,将其视为绘画的基本点,以及反应精神内涵实质的媒介是我所始终坚持的。
It has been asserted that one of the most important languages of the twenty-first century is the visual symbolic language. Symbols are the basic units of any language, as do the languages of painting. Therefore, the visual symbol of the screen is a derivative of the pursuit of creating a goal. In the field of modern painting, the way of forming visual symbols is the artist’s illusion of the heart and the crystallization of the natural rumination. Through the composition of various visual symbol elements, the visual symbols express the artist’s understanding of the world and communicate with the human spirit field. The communicative form of language function is also an important means to expand the category of human aesthetics and expand creative thinking. Research on the new value of visual symbols proves that art masters such as Kandinsky, Paul Klee, Miro and Daley are pioneers in the field of symbols. They not only affirm the status and value of visual symbols in painting works, but also reflect psychologically in abstract paintings, the ways of forming visual symbols and the mutual relations between visual symbols in the creative picture Each line, every point and even each color is revealed, and all kinds of symbols are within the limits of their definition, have been able to maximize the expansion, issued a powerful impact, withhold the pulse of the people’s mind. Therefore, I regard it as the basic point of painting and the substance of the substance of the reactionary spirit that I have always adhered to.