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就戏剧故事情节的外在方面来说 ,电视戏说剧属于一种联缀体结构 ;就情节冲突的内在方面说 ,戏说剧多属于一种线性冲突模式。戏说剧作为当代通俗性的大众文化文本 ,体裁结构具有杂体性与多声性的审美特征。在艺术思维层面 ,它以杂文式古今杂糅、嬉笑怒骂皆是“戏” (诙谐与滑稽 )的文本活动 ,创造了以历史 /神话为一端、以现实为一端的“双构性结构”。戏说剧体裁结构的狂欢化渊源于我国历史悠久的民间诙谐文化传统
As far as the extrinsic aspects of the story of the drama are concerned, TV drama is a conjunct structure. In terms of plot conflict, drama plays mostly belong to a linear conflict model. As the mass culture texts of the contemporary popularity, the drama plays have the aesthetic characteristics of heterogeneity and polyphonicity. At the artistic thinking level, it uses ancient and modern hybrid essay style, and ridicule is a textual activity of “opera” (witty and funny), creating a “dual structure” with history / mythology as the end and reality as the end. The carnivalization of genre structure of drama plays originated from the long history of folk witty cultural tradition in our country