论文部分内容阅读
临川“四梦”的问世，为中国戏曲演剧思维带来新变，产生了始料不及的深远影响。系统探讨这一演剧变革，对于全面总结作为戏剧家的汤显祖对我国戏曲发展的全部贡献，无疑具有积极意义。本文拟从中国戏曲舞台演剧结构这一视角，对“四梦”进行整体观照，在文学价值、演剧形态、梦幻效应及心理开掘等诸多方面提出个人见解。
The advent of Lin Chuan’s “Four Dreams” has brought new changes to the thinking of Chinese opera dramas and has had far-reaching effects unexpectedly. To systematically investigate this dramatic change has undoubtedly positive significance for comprehensively summing up Tang Xianzu’s full contribution to the development of Chinese opera as a dramatist. This article intends to make a holistic view of the “Four Dreams” from the perspective of the stage structure of the Chinese opera and put forward personal opinions on many aspects such as the value of literature, the form of drama, the effect of fantasy and the exploration of psychology.