问:请阐释您作品的视觉语言创作过程?答:用颜料和刀以及单色的粗线在画布上绘制出硬边的3D效果图像,让“硬边抽象性质的具象画面呈现多重化视觉印象”始终是贯穿于我的作品中的最明显的语言形式特征。从材料上来认识,作品中的材料是锡管中直接挤出的纯色,这种没被破坏过的材质只是单一的明度,经过我横竖撇捺重重叠叠排列和刀削,在精心的策划下,利用光奇迹般地创造了二维空间以外的活动图像。从形式上来看,作品用一块一块细长的绷着亚麻布的木板,借用中国古代木简的形式使画面成模块化,每一幅画就是一本当 Q: Please explain the visual language creation process of your artwork? A: Draw hard-edged 3D effect images on canvas with paints and knifes as well as monochromatic thick lines so that the “hard-edged abstract nature of the rendered image presents multiple visuals Impression ”is always the most obvious linguistic form traced through my work. From the material up to understanding, the work of the material is extruded directly in the tin tube of solid color, this is not destroyed the material is only a single lightness, after I had no choice but to stack up and down repeatedly stacked knife and knife, carefully planned , The use of light to create a miraculous activity outside the two-dimensional images. From the formal point of view, the work uses a piece of slender stretch of wood planks, using the form of ancient Chinese woodcut to make the picture into a modular, each painting is a pawn